That generates forward motion (momentum), because listeners subconsciously want to know where that crescendo of sound will lead. Longing for resolution can give music a sense of forward momentum, and the way that resolutions are granted or withheld can make listeners feel either satisfied or frustrated.Īs you play through your verse, you might choose to play louder as you go.
When dissonant harmonies change to consonant ones, it is called resolution. This tension makes listeners wish for the release and resolution of consonant harmonies. The emotional effects of polyrhythm may vary (including uneasiness, humor, freedom), but this rhythmic device invariably creates a general perception of tension, an anticipation of resolution, and a sensation of forward momentum.’17ĭissonant harmonies can make listeners feel unsettled and tense. The forward momentum of the sequence comes from this constraint and break-out pattern.Īn Alternative Temporal Approach to Jazz Improvisation in the Music of Andrew Hill:
In rhythmic or formal terms, short-term repetition builds up tension, which is released with the change in pattern. dissonances, I mean for the overall forward motion and flow of the music there are too many moments where everything feels finished. You start at home, you go somewhere, you come back.Ī common problem I hear in many of my students' work (and one I am guilty of as well), is having too much resolution and not enough tension. Even a melody as simple as do-re-do captures the essence of tension and release. Tension and release is a basic fundamental of composing music. Nevertheless, perhaps we can have a look at some references to forward momentum in a variety of sources, and see if we can find any commonality in what they are referring to: It's quite a general and subjective term - a bit like saying that something is 'upbeat', or 'laid back', or 'soulful'. I honestly don't think you will find many people trying to give an earnest, precise, definition of "forward momentum" in music.
#Subgoals in thinking rock full#
A full answer should compare them and possibly give historical context on the use of the word. The topic pops up everywhere and might have slightly or widely different meaning in different context. Įdit: I think this question deserves a long and referenced answer. Right before illustrating swing Tommy Igoe's first plays a set of straight quarter notes on a ride cymbal and comments that you want them to have forward momentum and be evenly spaced (from which I infer that it doesn't have to do with where the notes land.they are evenly spaced! But you can feel, as he plays them, that there is something catchy and musical in them). On this website you can read that: "When it comes to swing, music and syncopation, swing refers to the creation of the feel of a forward momentum, a forward momentum that seems to want to drive someone to dance and sway to the music." and I remember reading somewhere a famous jazzist saying that that's what swing amounts to: music with forward momentum (I can't remember the name of the person tough).
And he replied that it probably wasn't and it was just that the song had more forward momentum there. I was asking to my drum teacher today whether a bit of a recording (ACDC's Back In Black) had the drum speeding up a bit or was it just my impression. I've heard the words "forward momentum" in different context referred to music but I couldn't find any definition for it (and it might very well be that it is used with different meaning in different places.).
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